The most striking thing is how little of it sounds like Elfman. Even outside of his most obvious mannerisms through the years, he has plenty of other musical fingerprints that give him away, but here I'd be hard pressed to identify the composer aside from on a couple of occasions. Indeed, the percussive suspense/action passages sound more like John Powell (perhaps a touch less percussion and more low key) than the tick-tick rhythms of Mission: Impossible.
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