Do you have particular memories about the Sleepy Hollow score?
Yeah, it was just really fun. I didn't really know exactly what I was going to do with it. Once again, the main theme of "The Headless Horseman" wasn't The Horseman's first theme that I wrote. It became "Ichabod Crane's Childhood Theme." I ended up with this theme for him as a child and it started just following him. I just learned somewhere along the way never to argue with those impulses because they're doesn't have to be rhyme or reason. Nothing has to make sense. In fact, sometimes it's better that it doesn't. I'll look back later and go, "Well, I could see psychologically how this would've fit with this." At the time, I'm not thinking that way at all. It just kept coming back.
I loved The Headless Horseman. I was incredibly proud of Tim because it's the first time he did a villain that was really a villain. He had no redeeming qualities. Normally, we love Tim's villains. They're usually the characters we associate with. The Headless Horsemen just cut off heads. There was no sense like, "Oh the poor guy, look at him stumbling around his house knocking everything over because he can't see anything while he's trying to make his cereal in the morning." [Laughs] He was a monster. When he killed that family and pulled up that little kid from under the planks, I was so proud of Tim [Laughs].
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