The opening titles are markedly different from what Elfman has been writing of late. This is a pop-based sound with vocalizations that would feel more at home in an indie-comedy as opposed to a major Hollywood production. The piano and guitar backdrop is supplemented by organ, which lends just a touch of some of the composer’s quirkier side.
While Elfman’s core thematic material is serviceable, the music is so low key that it’s hard to get into as a separate listening experience. “Simple,” one of the tracks here, is also perhaps the best description of this guitar-and-piano score.Baca lengkapnya di sini, bagi pelanggan FSM.